Filed under: gigs, music | Tags: 65daysofstatic, dive dive, frank turner, rural alberta advantage, tallest man on earth, titus andronicus
These shows have been of a monkey on my back over the last couple of months as I’ve had every intention to sit down and write them up properly but life has somewhat conspired against this and as time has gone on, I’ve felt like I couldn’t review them as well as I’d like so have kept putting it off.
Now, I feel I need to start this year with a clean slate but also round of 2010 so here’s a runthrough of all but one (which will get a slightly longer writeup) of the gigs I made it to in the twilight of the year..
The Tallest Man On Earth @ Electric Ballroom – 24/11
It’s not that long ago that the Swede was coming over to the UK for his first ever show, a show I was privileged to attend. In fact, it still remains one of my favourite gigs ever as Matsson played to a silent audience in awe of such amazing guitarwork and vocals and gripped by the intensity of his performance.
Fast forward little over a year and a few UK performances, The Tallest Man On Earth is back to play to a sold out Camden crowd. It amazes me to see the sudden explosion in his popularity but this isn’t by accident as he is a truly stunning artist and one that deserves to play to such crowds. I don’t know how word has spread so quickly about him but the praise is always justified.
However, the Ballroom just doesn’t suit this type of performance. Arriving later after meeting friends, we were stuck near to the back. Not being so tall myself, the slopeless Ballroom doesn’t fare well for myself and so half the gig is spent ducking and weaving through people so I can see something of him on stage and not just the back of someone’s head (and their straw/ironic Peruvian hat).
As ever, Matsson himself plays a blinder. Even to such a crowd, the feeling he gives out for each track shines through (but by the inverse square law, it’s greatly diminished by the time it gets to me). Running through tracks from both albums and the new EP, he plays a mix of live favourites and songs I’d need heard in this setting before.
There were plenty of other firsts to this performance as well though. Appropriately enough, given the venue, this was the first time he had gone fully electric and the change in sound for some of the tracks made them sound nicely different to what I had heard previously.
More noticeable than that, however, was the introduction of the organ/piano to the set adding a whole new dimension to his set. The most noticeable of these, and the definite highlight for myself, was the reworked version of Like The Wheel which was nothing short of beautiful. And an encore finishing with Kids On The Run rounded the evening off brilliantly.
I do love seeing The Tallest Man On Earth live as he is such a passionate and intense performer (and the only artist I know who can turn tuning his guitar into a whole song on it’s own!). It’s just a shame that the Ballroom is such a terrible venue for an artist like him and he’s got to the stage of attracting “fans” along now, such as the guy stood near me who just seemed intent on singing all the songs at his girlfriend in an apparent attempt to prove that he knew all the words.
I am gutted that I can’t make the next show that’s been announced at Shepherd’s Bush Empire due to my exams as that could suit him better. However, I still think he performs best to small audiences but those days are definitely gone now, in London at least, and I can only be thankful that I got to see him play such shows.
Titus Andronicus @ Scala – 25/11
This had been a show I’d been looking forward to for a while with The Monitor being one of my favourite albums of the year and with TA’s reputation as a great live band. Arriving early, I caught the set of the second support act TV Personalities who were an influential punk band from the 70s (and beyond) and who TA seemed to admire. Despite this reputation, they were pretty crap. It wasn’t until afterwards I found out that they were held in seemingly high regard as they were boring, repetitive and flat.
As such, it meant that I was even more geared up for Titus themselves as I was determined to have a good time. Luckily, they didn’t disappoint.
Launching straight off with A More Perfect Union, the crowd were instantly on the band’s side and loving every minute of it which is not a surprise as it is a brilliant album opener. The rest of the set was a mix of tracks from the new album as well as the previous record with Fear And Loathing.., and the amazing Titus Andronicus itself from the first album being highlights but then again new tracks sounded just as good.
Titus know how to whip the crowd into a frenzy though, especially with singalong lines life “you’ll always be a loser” and screams of FUCK YOU! at certain points. All this meant it was one of the most knackering gigs I’ve ever been to with the unrelenting pace of the show hardly letting up with the breaks between songs being a welcome break for the band and the crowd. Even slower tracks like To Old Friends And New had such an intensity about them that it still sapped the energy from everyone present.
The venue itself added to the atmosphere with Scala being much smaller than I had imagined so everyone was packed in. The security staff also didn’t seem too fussed about crowd surfers so it made it feel like an old school rock concert. However, Dan Tracey from TV Personalities seemingly thought he was back in the 70s and insisted on taking over the stage and getting the band to play with him. One track wasn’t enough though and he grabbed a guitar and played a song with a very bemused Titus playing along and an even more bemused audience not knowing whether to laugh or feel sorry for Dan who clearly thought he was THE MAN with the amount of booze/illicit substances he was on.
After normal service had resumed, Titus continued their race to the end of the show making for a great show and it was nice to see a band live that sounded as good and energetic and frantic live as they did on record. They also seemed to be a nice group of people too and couldn’t stop saying how happy they were to be playing their biggest non-US show so it was a pleasure to be part of that as well.
One of the gigs of the year for me.
65daysofstatic @ CAMP – 26/11
A mere 6 months after seeing them at Koko, 65dos were back in town for a much smaller show at a place I’d never even heard of.
The City and Arts Music Project is just off Old Street and must be a relatively new venue as I used to work in the area and didn’t recognise the place at all. We got there before doors opened as a friend had managed to get me a reserved ticket (despite it being a sellout) but we had to get there early to grab it. But early here had a different meaning as the doors weren’t even due to open until 10pm with 65dos not on until around midnight.
On arriving, the bar on the ground floor level of the venue looked quite nice from outside and we got a decent look at it as we were left standing outside in temperatures below zero as they kept refusing to open the doors. 30 minutes or so later, and with hypothermia only just staved off, we finally made it inside the venue.
Going down stairs, the venue really was a tiny place and quite a dingy place but in a way that made me quite excited as the smallest venue I had ever seen the band in was at the Dingwalls and this was probably even smaller.
After taking up our spots around the middle of the venue we settled down for the evening and welcomed the support band Kong onto the stage, ready for them to set the scene for the evening.
Sadly, they were a bit crap. The costumes they wore just looked tacky and their “noise rock” sound just came over as noise. There were moments where I felt like I was starting to get into their music but it quickly descended back into something I ended up tolerating instead, which is not a good way to describe any music.
After that disappointment, it was up to 65dos to save the day. Rumour had it that the band hate playing London because of the hipsters that end up going to the shows who aren’t actually fans of theirs and had even thought about not playing London. But with such a small venue, I was hoping that the place was going to be ripped up.
Sadly, this just didn’t happen. 65dos themselves were fantastic as always and still remain one of the best live acts out there. But the crowd just didn’t seem to be up for it at all, standing around looking more like they were queuing for a bus. There were a handful of people trying to go for it but these were definitely in the minority.
As for 65dos, the set leaned quite heavily towards their newest album, which was no problem for me as We Were Exploding Anyway is, for me, their finest piece of work to date with much more synth on it that their previous records which adds much more to their sound. From the set opener and all out assault that is Go Complex to the almost rave-esque Weak4, this material is just made to be played live. There were a host of old tracks in there too though, including Retreat! Retreat! which always gives me shivers when I hear it live.
Closing the main part of the set with the eerie Debutante, many people headed for the doors to my bemusement as it was clear 65dos would be coming back out and it was definitely worth hanging round for with the brilliant Radio Protector and Tiger Girl before a second encore of older tracks to round the night off.
I really enjoyed the set and it was great to see them back in a small venue. But after the atmosphere of the previous evening, it felt like such a let down to have such a rubbish audience in a venue that was made for this kind of show (but not helped by the average sound and over zealous security staff). And with a crowd of people that the band hate London for, I only hope they do come back. Or that I’m out of here before their next show.
Sorry for the lack of pics but the lighting in the venue and my camera just didn’t get along.
The Rural Alberta Advantage @ The Luminaire – 09/12
Another day, another amazing gig.
It’s no secret on this blog that I utterly love the RAA ever since a friend sent me a download link (I have no qualms about this as this was the pre-Saddle Creek days when you could only buy the album straight from them). On last.fm, it is my most listened to album with over 1,000 plays and when I heard about their first gig in the UK, I almost let out a little sex wee. That show didn’t disappoint (apart from the annoying hippy guy who clapped out of time through the whole gig) and so when they announced their return, I snapped up a ticket.
This was the first gig I’d ever been to at the Luminaire (amazingly) and would ultimately be my only visit with it facing imminent closure. It was a beautiful little venue and a bit smaller than I had imagined. With the first support band having just finished, I made my way quite happily to the stage and settled down in time for Let’s Buy Happiness. I quite enjoyed their set with their indie pop sound and interesting vocals from the female vocalist and they are a band I have meant to investigate more since I saw them.
But it was the RAA who I was obviously here to see and wondered just how they would be able to top their previous gig. After the inevitable waiting around, they bounded on stage to a warm round of applause and yet again managed to capture my heart.
They manage to blend several sounds into their songs, and subequently into their set, so well and without ever sounding as though they’re not comfortable doing so; from the distorted and frantic Drain The Blood to the haunting Frank, AB every song sounds great. The mix of keyboards, straight acoustic and distorted acoustic guitars taking the lead on different tracks also gives the set a nice mix of sounds and this is all backed up with Niles’ unique, strained vocals, Amy’s beautiful backing vocals and then Paul’s all out assault on the drums which somehow fits in with the soft and tender music seamlessly.
As well as the old favourites, which have been around for a good few years now, the band also played a number of new songs which all fit in with the sound of the tracks from Hometowns but offer something slightly different. Barnesyard is one that is recognisable straight away to me as it has been on their Daytrotter session from quite a while ago but the ones that I didn’t know still had an air of familiarity about them which makes me very excited for the new album (which is out very soon and up for pre-order on Saddle Creek’s website now).
Like their previous show, the finale for the night was the new albums closing track Goodnight which was performed completely unplugged and played on a raised section of the venue at the back of the crowd. Save for a few people who jst can’t help but talk, everyone else present listened in silence to a great finish to the night.
I loved their set again this time round but it didn’t quite reach the heights of the previous show. This was nothing to do with how they played but that last time round was the first time seeing them live so the anticipation of that made it so much more amazing but I won’t complain if they decide to come back to these shores any time in the near future.
Frank Turner @ Brixton Academy – 12/12
March 2009 – Puregroove Records instore to 50 people
December 2010 – Sellout show at Brixton Academy to 5000 people
These number show just how far Frank Turner has gone in such a short amount of time. But no matter what the size of the crowd, Frank seems equally comfortable but equally humble at the same time. Having been at both of these shows (the former being the smallest crowd I can remember seeing him play to and the latter being his biggest headline show to date) and a fair few in between, it’s been fascinating to see this change to take place.
This was the end of a UK tour as well as the year’s Christmas show and a slightly different one from the magical night at the Union Chapel 12 months previously. I got to the venue nice and early to catch the full lineup for the evening which kicked off with Dive Dive. As Frank fans will know, three quarters of the band are the same guys that make up Frank’s band with leadman Jamie being the only difference in the lineups. Having recently signed to Xtra Mile themselves, they were ready to release their first album in a few years and showcased it brilliantly on the night.
With a very different sound to their work with Frank, they launched through their set with it’s tight indie sound which was a great start to the night and I’m sure it was a set won them plenty of new fans on the night. The new material, which I’d managed to hear beforehand on Spotify, sounded great and made the album one to go on the pre-order list when I got home.
After that came Ed Harcourt which was a name I recognised but not one I could put a song to. His set was an interesting mix of sounds with him flitting between piano and guitar. For just one man on such a big stage with such a huge audience, he did very well and it was a set that I found quite interesting and not one I would have expected from someone supporting Mr Turner.
As for Frank’s set itself, there’s very little I can say that I haven’t said several times in the past. As always, a mixture of material off all three albums and the new EP were present and correct as well as several new tracks, most of which will presumably feature on the, as yet untitled, fourth studio album that will be out in Summer 2011.
The standout moment for me of his set was the crowd’s participation and excitement for his most recent single I Still Believe. It is definitely one of his catchiest/mainstream (in a nice way) songs but I never expected such a reaction to such a new song and it makes you think that a lot of the crowd have only just jumped on the Frank-wagon (especially as the show had only sold out a week or two before having been on sale since February).
Many of the standard live tracks such as Prufrock, LI&S, Father’s Day etc all sounded great as is always the case. The less commonly played Nashville Tennessee and Springsteen’s Thunder Road also got their chances to be heard while the pick of the new tracks in the a capella English Curse had the crowd hanging on every word.
Frank’s interaction with the crowd was there as per usual too with plenty of chatting between songs and thanking the crowd repeatedly for making it his biggest show to date. This was also coupled with personal tales such as about his grandmother feeding him whiskey at a young age.
The set closer of The Road had the crowd, and my companion Mr Ben Marwood, very excited and whipped up for cheers and screams for the inevitable encore which bought the night to an end with the singalong of Ballad of Me and My Friends and then Photosynthesis with Ed Harcourt coming back out on stage to join in.
Frank is someone I will never tire of seeing live, as you may have already guessed, as you know you’ll get a great show but with such a library of tracks to play as well as the constant stream of new material, it’s different every time as well. Yet again, another great show and a fantastic way to end the year for gigs again.
A belated and, thus, short “review” as I can’t give too many details about this show so long after it took place.
Support on the night came from Nedry, who did nothing for me, and from Loops Haunt who rather impressed with his set on stage and is well worth checking out.
As for 65dos themselves, they played a great set with a good mix of old and new material. The sound system of Koko allowed the new tracks to shine while the older tracks sounded fantastic too. Being on the balcony, I had a good view of the band and I have to say, it’s amazing to watch the band’s drummer in full flow.
It really is a sight to behold when he’s giving it everything and in tracks like the sublime ‘Retreat! Retreat!’ (one of their best moments live) it’s easy to be mesmerised by him.
The set was overall solid and, as mentioned previously, the sound was great. However, Koko doesn’t seem like the best venue for the band. The size doesn’t make for the right kind of atmosphere for their kind of music which, to me, is much better suited to small, sweaty venues like at the Dingwalls (but at least they didn’t break the venue like they did when I saw them there). As such, the crowd felt a little flat but it’s difficult to put on a show in a smaller venue for them when they can sell out a venue the size of Koko.
Overall, I really enjoyed the set and it was nice to get chance to hear the whole of Weak4 and to hear Radio Protector this time round. New tracks like Go Complex and Tiger Girl, at either end of the show, did sound beautiful but without the crowd to match what was going on on-stage, the gig just lacked that certain something to make it truely amazing.
65daysofstatic – Weak4 (live)
Filed under: gigs | Tags: 2009, 65daysofstatic, and so i watch you from afar, animal collective, frank turner, gig of the year, graham coxon, maybeshewill, metric, The Antlers, tv on the radio, we were promised jetpacks
As we approach the end of the year it’s time, as any blog should, to look back on the year as a whole. With the main purpose of this blog being about live music, it seems apt to kick things off with my top 10 gigs from the year.
First things first, I’ve excluded the all day events I’ve been to this year, in Lexapalooza and Lexapalooza Lite, as they would have run away with the titles due to the overall awesomeness of both events. So in order to give the other shows a chance, they’ve been cut. And so, bring on the list!
10. We Were Promised Jetpacks @ The Lexington – 18/06
I’d been listening to this three pieces debut album, These Four Walls, for a few months before I got chance to see them at this great little venue. They had a couple of good support bands playing with them but their own set was short but sweet. ‘Keeping Warm’ was a great set opener with it’s uber long intro and kicked the night of well. Other songs off the album, such as ‘It’s Thunder And It’s Lightning’ and ‘Conductor’ sounded fantastic too but the highlight was most definitely ‘Quiet Little Voices’ which is one of my favourite songs this year (a list I won’t be compiling).
They seemed to have a great time on stage and I definitely had one off it.
9. Animal Collective @ Brixton Academy – 20/08
I went along to this gig a bit indifferent to this band but since then have got more into them thanks to this show. The sound levels and the sound quality may not have been as good as they could have been, the one buzzing monitor being a particular nuisance, but this didn’t stop it from being a damn good show. It was a shame I didn’t know more of their material as a number of the songs I didn’t know at the time sounded great live, especially ‘Fireworks’, and both ‘Guys Eyes’ and ‘Brother Sport’ of the new album sounded fantastic too.
It was a shame the crowd were a bit flat but this gig was an amazing experience as much as anything.
8. TV On The Radio @ Brixton Academy – 13/07
After thoroughly enoying last year’s album ‘Dear Science’, I had really been looking forward to this show. The set they played was heavily weighted in favour of this album and the big tracks off the album, such as ‘Halfway Home’ and ‘Dancing Choose’ coming across brilliantly but it was some of the more understated tracks on the album, particularly ‘Love Dog’ which really blew me away. The older material also sounded fantastic and the double act of the percussion heavy ‘Method’ and the sublime ‘Staring At The Sun’ rounded the night off for the encore.
Very glad I managed to catch such a top band on the only date they played in the UK.
7. The Antlers @ Pure Groove Record Store – 04/09
One of Pure Groove’s in store sessions (that I really should go along to more often) this was on at the slightly bizarre time of 1.30 in the afternoon on a Friday but I am very glad I managed to make the trip across London for their set. With just a handful of people present, they played a large majority of their album ‘Hopsice’ with most songs having a slightly different twist live to on the record. The reworked version of ‘Sylvia’ was especially good but others such as the beautiful ‘Kettering’ and ‘Two’ came across just as well.
A wonderful intimate little gig and I even managed to have a chat with the band and get my copy of the album signed.
6. Metric @ The Electric Ballroom – 19/05
For such a big band, I was amazed that this gig was so cheap so booked tickets in a shot when they came out and I’m very glad I did. Fantasies was the only album of theirs I had prior to getting the ticket so was most familair with the material off that. Luckily, for me at least, the set was pretty much dominated by these songs which I much prefer to their older albums. Emily Haines is a fantastic singer and focal point for the band and she was simply brilliant on the night. The lighting and sound were spot on so tracks like ‘Gimme Sympathy’ and ‘Help I’m Alive’ came across as well as they could have. The acoustic rendition of ‘Live It Out’ was a perfect ending to the night.
A fantastic live band and a great show.
5. 65daysofstatic @ Dingwalls – 26/04
A band that I love and had never caught live before. Fantastic support on the night from Tubelord (and some not so fantastic support from Amusement Parks On Fire) as well. These guys’ records just don’t them justice as they are so so much better live than on any album of theirs. Their performance on this night was simply mind blowing and the whole venue went absolutely mental for them. I only wish we’d been down in amongst the madness rather than where we were. And a rather fitting end to the night with a complete power cut during a brand new song cutting their set short.
Absolutely cracking show and can’t wait to see them again.
4. Graham Coxon @ The Lexington – 13/05
A gig I heard about through a friend, I was lucky to grab one of only a few tickets for this fairly intimate gig at The Lexington. The gig was to showcase his new album ‘The Spinning Top’ which he played through in it’s enitrety. I’m not a huge fan of the album but it was absolutely fascinating to watch such an accomplished guitarist playing such technically amazing songs. The change between the pure acoustic songs and the distorted ones were welcome and it was interesting to see a gig that just consisted of one album in order.
A great gig and very fortunate to be so close to such an accomplished musician.
3. Frank Turner @ Shepherds Bush Empire -29/10
He had to make an appearance at some point didn’t he? I may have seen Frank play a handful of gigs this year but this was easily the pick of them. The whole night was great as he had some excellent support from Beans On Toast and Fake Problems and his own set was one of the best I’ve seen at any of his shows. As I’ve said numerous times in reviews of his gigs, it’s a whole different experience seeing him with the band than solo and it was the energy of the performance from this show with the band and the sheer scale of the gig and crowd that made this such a great show. The stalwarts of his live shows, such as ‘Photosynthesis’ and ‘Prufrock’ were as good as ever but the inclusion of older material like ‘Nashville Tennessee’ and the fantastic cover of ‘Smiling At Strangers’ were epic.
All this on top of the new material sounding just as good made for a special night.
2. And So I Watch You From Afar/Maybeshewill @ The Good Ship – 20/05
ASIWYFA are only second to Frank Turner in the artist I’ve seen most live and this was their finest moment this year. This was very much helped by the fact that on the same bill was another of my favourite post rock bands in Maybeshewill. The rest of the crowd may not have known them as well as I did, having seen them play the same venue previously, but that didn’t bother me and they were as good as the last time I saw them. But if I thought they were good, ASIWYFA were on another level completely. The setup of the Good Ship set it up for a mind blowing show as the 50 or so of us in the ‘pit’ were pretty much on the stage with the band.
The energy from both the band and the crowd made this one hell of a gig and left me feeling shell shocked afterwards.
1. The Tallest Man On Earth @ Barden’s Boudoir – 09/09
And so the number one spot goes to the marvellous Tallest Man On Earth and his show at the bizarre little venue of Barden’s Boudoir back in September. The venue was an odd little place but in hindsight maybe the perfect sort of stage for Kristian to play on as it allowed the fans to surround the stage and this allowed him to sing to each and every person in the crowd. As I wrote in the original review, he had a slightly unnerving style of playing live as he would pick out people in the crowd and sing almost just to them and when it was you he ‘picked’ on, it seemed like an eternity that he was singing for you. Up until this gig, I’d enjoyed his album but this has nothing on how he was live and it was almost an honour to see him play such amazing songs and sing in his unique style.
The only word I can use to describe this show is mesmerising and I’ve already got my ticket booked for the next time he’s back in London.
The Gardener – live at Barden’s Boudoir
Agree/disagree with what I’ve got down? What was your favourite gig of the year? Leave a comment and let me know!
Coming soon(ish): my top 20 albums of 2009 with accompanying podcasts.
Filed under: podcasts | Tags: 65daysofstatic, and so i watch you from afar, antlers, bruce peninsula, dave house, frank turner, graham coxon, justin vernon, klaxons, maybeshewill, metric, music podcast, slow club, the pains of being pure at heart, the rural alberta advantage, tim fite
A belated 16th podcast featuring;
The Rural Alberta Advantage – Rush Apart
Frank Turner – Heartless Bastard Mother Fucker (live)
Graham Coxon – Sorrow’s Army (live)
Tim Fite – A Better Fence
Antlers – Bear
65daysofstatic – Retreat! Retreat! (live)
Maybeshewill – Co-Conspirators (live)
Justin Vernon – Ring Out
Klaxons – Golden Skans (Acoustic)
Metric – Help I’m Alive (Acoustic)
The Pains Of Being Pure At Heart – Come Saturday (live)
Dave House – Born Steady
Bruce Peninsula – Crabapples
Slow Club – Our Most Brilliant Friends
And So I Watch You From Afar – The Voiceless (live)
Download from this link
Filed under: gigs, music | Tags: 65daysofstatic, amusement parks on fire, camden, dingwalls, tubelord
Better late than never and all that..
On that Sunday, I made my first trip to the Dingwalls venue on Camden Lock to see the almight 65daysofstatic. Getting there nice and early, and with a good spot until we moved to a slightly less good spot, I managed to catch all of the support acts as well.
First up were Tubelord who I have heard a little bit off and rather enjoy. An indie/’fight pop’ band, I quite like these guys’ sound; it’s nothing amazingly original but they do it very well, producing a very good sound considering that there’s only three of them on stage and had a good amount of energy that went down well with the crowd. Thankfully, they played my favourite song of their (Night of the Pencils, as heard on my recent podcast) and I managed to nab a recording of that, even if it was missing the first few bars as I didn’t expect it so early in the set. Altogether, they played really well and really tight and were a great opener to the night.
Next up were Amusement Parks On Fire and I’m afraid to say they were pretty rubbish. For a start, I think whoever did their sound levels must have hearing difficulties as the sound levels were awful; couldn’t hear the vocals (was he actually singing??) and the guitars were so loud that any actual quality to the sound just got lost in the noise so the whole set just blended into one. Not impressed.
Finally, the main act themselves 65dos were incredible. The noise those guys made was just fantastic and they kept the crowd going the whole time playing loads of their classics and a whole host of new material as well which may just be some of their best stuff yet; loud guitars, crazy synths and epic drumming it was like an old school rave. The gig itself reached something of an interesting climax.. halfway through a new track, WK4, the lights in the venue suddenly dropped and a minute and a half drum solo kicked in building the crowd to orgasmic levels before silence kicked in. With the crowd on tenterhooks, suddenly a figure appeared on stage, asking for everyone to vacate the venue as there’d been a power failure
Sadly, that was it for the night but in some ways I could think of a more apt ending for such a band. So despite technical difficulties earlier in the set and managing to break the venue, it was a top top set. Look forward to their next gig down here in October!
So for you, I have a live recording of Await Rescue but also a video of the, now mildly infamous, rendition of WK4.I do have audio of that but this vid off youtube just captures the atmosphere so much better than any audio alone could.